PREVIEW PAGES! KILLBOX #1 BATTLES ITS WAY INTO SHOPS THIS WEEK
April 25th, 2016—Los Angeles, CA
KILLBOX, American Gothic Press’s brutal new independent series by Tom Riordan and Nathan Gooden, ships to comic shops this Wednesday, April 27! It’s a reality competition bathed in blood as bartender Timothy Choir attempts to be the last man standing in order to win money for his dying son. But there are odds against him calculated using the most diabolical methods imaginable, and it may not be in everyone’s best interests for him to survive.
This #1 issue opens the door to the wider, completely insane world of KILLBOX, where the most vivid of underground entertainment comes with a price, and there are always people desperate enough to pay it. “[The killbox] is not broadcast on television, and the vast majority of the inhabitants of this near-future are completely unaware of its existence; in fact, great pains are gone through to ensure its secrecy,” says first-time writer Riordan. “It’s not a spectacle; it’s gritty, dark, forbidden, and hidden.”
Below is a preview of the cover and first six pages of KILLBOX #1, with blistering art by DEADEYE artist Nathan Gooden. Advance reorders of the first issue are available using Diamond Code FEB161075.
KILLBOX, American Gothic Press’s brutal new independent series by Tom Riordan and Nathan Gooden, ships to comic shops this Wednesday, April 27! It’s a reality competition bathed in blood as bartender Timothy Choir attempts to be the last man standing in order to win money for his dying son. But there are odds against him calculated using the most diabolical methods imaginable, and it may not be in everyone’s best interests for him to survive.
This #1 issue opens the door to the wider, completely insane world of KILLBOX, where the most vivid of underground entertainment comes with a price, and there are always people desperate enough to pay it. “[The killbox] is not broadcast on television, and the vast majority of the inhabitants of this near-future are completely unaware of its existence; in fact, great pains are gone through to ensure its secrecy,” says first-time writer Riordan. “It’s not a spectacle; it’s gritty, dark, forbidden, and hidden.”
Below is a preview of the cover and first six pages of KILLBOX #1, with blistering art by DEADEYE artist Nathan Gooden. Advance reorders of the first issue are available using Diamond Code FEB161075.
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American Gothic Press, established in 2015, is a publishing imprint of Famous Monsters of Filmland magazine consisting of comic books in the Sci-Fi, Fantasy, and Horror genres. Famous Monsters of Filmland is the longest running entertainment fan magazine in the US, having been established in 1958 by Forrest J Ackerman and publisher James Warren. Ackerman also co-created one of the most enduring comic book heroes of all time—the seductive Vampirella. American Gothic Press marks FM’s journey back to the creation of original characters. Following a stunningly successful 2015 with the series GUNSUITS, BORNHONE, BROKEN MOON, PROJECT NEMESIS, and MONSTER WORLD, the imprint plans to keep the spirit of imaginative storytelling alive and well beyond the pages that an entertainment magazine can provide. We hope the monster kids will join us.
ABOUT FAMOUS MONSTERS
The internationally distributed Famous Monsters of Filmland magazine was the first-ever Sci-Fi, fantasy, and horror pop culture fanzine of its kind, created by Forrest J Ackerman in 1958. Steven Spielberg, George Lucas, J.J. Abrams, Peter Jackson, Guillermo del Toro, Stephen King, and countless other influential artists in the entertainment field praise the magazine for inspiring them to dive into their craft. Established by Forrest J Ackerman to celebrate monster movies, genre films, and to unite fans from around the world, Famous Monsters of Filmland strives to not only honor the classics while sharing new and upcoming projects but to also provide insight for readers on how to create their own monster and Sci-Fi films at home. From makeup tips to special-effects tricks, FM has become a "how-to" for generations of aspiring storytellers.
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